How to Build a Deflector Shield for Deep Space Travel | IdeaFeed | Big Think

How to Build a Deflector Shield for Deep Space Travel | IdeaFeed | Big Think.

 

The reason I’m posting this here is that I’m working on a screenplay that absolutely depends on our NOT developing just such a deflector shield…

And it’s cool, what with Star Trek Into Darkness coming…

LeVar Burton Calls Out J.J. Abrams About Star Trek | Giant Freakin Robot

LeVar Burton Calls Out J.J. Abrams About Star Trek | Giant Freakin Robot.

via LeVar Burton Calls Out J.J. Abrams About Star Trek | Giant Freakin Robot.

 

The heat is really going to be on  J.J.  Look, he’s already gotten a rise out of the usually very laid back Geordie.  And STAR WARS fans can get even crazier, I think.  Man may end up making a wookie angry before this is all over.

Can one man handle Star Wars and Star Trek?  Should one man handle both franchises?

J.J., call me, baby.  I can help.  Because if you piss off Data, you’re really in deep doo-doo.

What We Don’t Talk About in the MFA

MFA BAD BOY

Here I am in my second semester of doing my level best to be a good student, to read all the assignments, to write as well as I can, and to be as helpful to my teachers in running the best workshops and lectures they can, and being as supportive of my fellow writers as I possibly can … and I think maybe it isn’t working.

MY SINS

STORY-STRUCTURE:

From the Hero’s Journey to Save the Cat, I’m a huge fan of studying about story structure.  But I’m in the wrong place for it.  ONE SENTENCE AT A TIME is the only structure in play.  Don’t say “plot point,” someone may smack you.

AUDIENCE:

I think my first sin is that I like to talk about the audience for a given work.  Apparently, serious literary types don’t give this any consideration at all.  Shocking, right?  I mean, to me, audience is everything.  But if I bring this up, I get evil stares and classmates who look at me like I’m nuts before admitting that they’re not thinking about audience at all.

MONEY:

This another thing I’ve learned one should not talk about in an MFA program.  I tried to justify my interest in considering audience by talking about marketability of a book and its potential commercial merits.  People looked at me like I was the reason school shootings happen. In what I would describe as a well-concealed, hardly detectable, mostly internalized FIT OF RAGE my lovely prof actually said that none of us should be thinking about publishing for a long time.  Hmm.  Maybe she’s a head-hunter for Starbucks or something.

SELF-PUBBED EBOOKS

Again, mentioning this has gotten me some nasty stares.  In my program, no one really gets angry or insulting–ever–which is nice, but you can tell when people are pissed off.  It seems that over in MFA land we’re supposed to pretend the Internet doesn’t exist, except maybe as a way to find some literary journals to which we might submit our work.

MY TAKE

For better or worse, at least here in the first year, my program seems to be about THE WRITING and really nothing else.  Even when that nothing else might benefit the writing (like a discussion of audience), you’re already walking on that narrow, twisty mountain trail towards Mount Doom.

SO

So, I’ll keep my mouth shut about writing as a way of making a living (nobody can do that, I was told by one teacher and one classmate), and just keep working on THE WRITING.  Good enough.  I mean … why should Grad school prepare you to make money?  That can’t possibly be the purpose of an education, right?

AM I STILL HAPPY?

Yes.  I am still happy.  My journal is filled with ideas, notions, tips, thoughts, excerpts, etc., all of which are worth the price of admission.

 

The Craft of Fiction – Day 2

Day 2 continued

Day 2 was the first lesson in my course on the craft of fiction.  My first impression of my instructor, I’m sorry to say, was, “Whoa.  She’s old.”  I had the misfortune of having a teacher pass away (actually, I should say collapse and die violently after a serious of convulsions) six rows away on the main stage in the school auditorium when I was in seventh grade.  Ever since then, I’ve worried about it happening again.  As I watched her and listened to her some more, I realized that this woman, though at least as old as my grandmother was when she passed away, had once been a total knockout, and her blue eyes had lost none of their enchanting power.  In fact, she was still kind of lovely.

Within a few moments, I realized I was in big trouble.  ”Oh, she’s one of those “old” teachers who knows everything Proust, Joyce, James, Didion, and Hemingway ever wrote entirely by heart and peppers her lectures with off hand quotes from memory.”

I don’t do well with those kinds of teachers.  Well, that’s a lie.  In the end, I do okay, but it’s a trial.

Sure enough, the reading list could well have been titled:  ”Everything you Haven’t Read Yet, But Should Have.”

This then was the other face of my program, and perhaps it is the other face of any progressive hot-shit MFA program.  There will be those classes where you are wading through Proust.  For better or worse.

By the end of the lesson, I was both thankful and trepidatious.  This instructor’s breadth of knowledge was astounding.  Would I be able to wade through the reading list and not stand revealed in the light of her blue-eyed gaze as a complete poser?

Again, only time will tell.